PaulReiser:Life,Death,andRicePudding

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Reiser’snewhourcomesontheheelsofPaulReiser:3½BlocksfromHomeandPaulReiser:OutonaWhim,whichwererespectivelyreleasedin1991and1987.Init,hedisclosesthesecrettosuccessfuldownsizing,explainswhythewhole“Dountoothers”thingdoesn’tworkinmarriage,andwhyboilingpastanakedisneveragoodiDea.Andforabsolutelynoadditionalcharge,youwillcometounDerstandwhyfindingraisinsinricepuddingunDerscorestheverymeaningoflife.

SemillaDelDesierto|SeedoftheDesert,Kõrbeseeme

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InaDesertedland,ChelinaandCavichefaceadifficultDecisionwheninfearofaviolentfathertheyDeciDetoterminateanunwantedpregnancy.Tofundtheabortion,theybecomegasolinesmugglersanDembarkonachallengingjourney.

StandingontheShoulDersofKitties

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2024喜剧片音乐喜剧

Bubbles'band"TheShitrockers"landsaEuropeantourbutgetskickedoff,forcingthemtobusk.Randyistheirroadie.CanRickyandJuliansavethemfromthestreetsofPrague?

愚蠢的国家

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ThemysteriouspsychologicalDestructionofEaston,whoisdriventotheedgeofsanity,andpossibleself-harm,bythosethatlovehimmost-hiswifeanddaughter.

PeiDetud|HidDen

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Inthenearfuture,afteragreatpanDemic,peoplelostalltheiremotions,andnowthewholesocietyistakingmedicinetogettheiremotionsback.ThefilmisaboutDealingwithemotionsandhowpeopleoftendonotknowhowtoexpresstheirfeelings.

月下禁爱|MomPetSawan,蒙恩萨诗歌,MhomPedSawan,月下禁果,暹罗情史,古暹情诗,扎克里诗歌

26集全

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根据拉玛三世(RamaIII,1824年至1851年在位)在暹罗(现在的泰国的旧名)统治时期的一首诗，这个故事讲述了女同性恋在皇家后宫的关系。　　前宫太子的妃子坤康和忽素，彼此之间都隐藏着超越友谊的感情。他们只能远远地互相照顾，直到前宫经过，苏特被请到桑王子的姐姐维拉斯公主的宏伟宫殿里服务。只有康（Kham）独自漂泊，最终不得不与父亲卡拉姆（Khram）一起返回家乡安帕瓦（Amphawa）。到底，在感情的事情上，彼此又会如何公平呢？

CidaDebyMotoboy

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Danteisanoldgayactivistwhorefusestoretire.Facingtheinevitableendofhisexistence,heDeciDestofulfillhisoldplansofopeningthefirstLGBTQIA+retirementhouseinBrazil,ignoringtheadviceofhisgreatfriendFrancisca,whoarguesthattheynolongerneedtocare.

VarjuDeikõnele|ShaDesAreSilent

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Asecretspecialoperationsteaminvestigatesthecaseofthemissingboys,discoveringanancientsupernaturalforcetiedtothecustomsandtraditionsoftheoldMardisants.

Vesikeesära|UntilWeStayHalf-Full

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Midsummer.　　Anidyllichouseandalake.　　Coffeegroundonthetableandboilingwater.　　Aboyandagirl.　　Half-fullsouls.　　Sarcasticirony.　　Afallenpomegranateseedonthegrass.　　Asolitaryforestandwildapples.　　Doestheimagecometogetherorfallapart?

CrónicasDelabsurdo|ChroniclesoftheAbsurd

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InCuba,artistshavetoberecognizedbyoneofthestate-sponsoredart　　institutionsthatensuretheirworkcomplieswiththestate’svisionandpolicy.ExistingasaninDepenDentartistmeanshavingnoincomeandnorights,andbeingsubjectedtovariousformsofcontrolandintimidation.　　WheninDepenDentfilmmakerMiguelCoyulacastsupcomingactorLynnCruzinhisnewdystopianfeatureCorazónazulin2011,itmarksthebeginningofaprofessionalaswellasaromanticbond.It’salsothestartingpointofthisdocumentaryexposingarangeofdisturbinginteractionstheartistssubsequentlyhadwithawiDevarietyofinstitutionsandindividuals—intrueKafkaesquefashion,oppressionloomseverywhere.EvenoutsiDeofCuba,wheretheyaremetwithsimilardogmatismcomingfromcriticsoftheregime.　　Intenellipticchapters,ChroniclesoftheAbsurdtellsthisstorymostlythroughaudiorecordings,oftenmaDeinsecret.Verbatimtranscripts,displayedingraphictextunDerliningthedynamicsoftheconversations,arepairedwithheadshots,logos,filmposters,andpaintingsbyCubanartistAntoniaEiriz.TheaustereformreflectsthehardshipsfacedbyCubanfilmmakers,whosefreedomofexpressionisdailyviolatedbyaDespoticsystem.

Degloeiige|TheFen-fire

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ErikvanLieshoutreturnstohisbirthplace:aformerpeatharvestingregionknownastheDeurnesePeel,nowanaturereserveintheprovinceofNorthBrabantinthesouthwestoftheNetherlands.Theinternationallyrenownedartistspent8monthsinthearea,supportedbythenearbyHetNoordbrabantsMuseum.Hecreatedinstallationsthatreflectonthehistory,presentandfutureoftheBrabantcountrysiDe.　　ThepoorsoilsaroundDeurnearethesettingforissuesthatarealsohottopicsinDutchnationalpolitics:intensivelivestockfarming,nitratepollution,immigration,housingshortages,agriculturalodornuisance,natureconservation.VanLieshoutstriDesacrossfarmswithchildlikeenthusiasmandtalkstolocalresiDents.Withhisopenquestions,headdressesnumeroustopicalissuesandsorepoints.Surprisinglyenough,nooneseemstogetangrywithhimandhisplayfuljabs.　　VanLieshoutnavigatessmoothlybetweenstrugglingfarmers,concernedcitizensandtheoccasionalbigearner.Andthenthereisthevetwhointendstobreedrabbitstoextractserumsagainstsnakebites.IntheVanLieshoutuniverse,everythingservesasartisticinspiration,resultinginsandcarpets,eggchainsoragiantrabbitmaDeofhay.

DelaguerrefroiDeàlaguerreverte|GreenistheNewRed

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InthemoDernhistoryofLatinAmerica,adirectlinerunsfromtheanti-Communistrepressionofthe1970stothefightagainstlandDefenDersandhumanrightsactiviststoday.　　AcrossthecontinentandwithUSsupport,politicalopponentsofright-wingdictatorshipswerekidnapped,torturedandmurDeredunDerthebannerofOperationCondor.Now,economicpowerinLatinAmericalieswithmultinationals,includinginthesoyindustry.Theirenemiesareindigenouspeopleandlandlessfarmerswhoclaimtherighttolandandarethuspersecutedandcriminalizedasterrorists,orkilledbyhitmen.　　DirectorAnnaRecalDeMirandalooksfortherootsofthisviolentconflict.Herjourneyinlimbobetweenpastandpresentisacharacter-drivenpathwaythatelucidatesthegenealogyoftoday’secologicaldisaster.Thetacticsmightbedifferentfromthoseof50yearsago,butthestructuresarethesame:landownersandmultinationalssecuringtheirinterestswiththehelpofpoliceandthearmy.Thecondor’sshadowstillhoversovertheLatinAmericancontinent.

Depropagandist|ThePropagandist

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Drawingonpreviouslyunpublishedinterviews,journals,familyfootageandpropagandafilms,ThePropagandisttrackstheriseandfalloftheDutchfilmmakerJanTeunissen,wholivedfrom1898to1975.　　ComingfromaverywealthybackgroundmeantTeunissenwasabletopursuehisaspirationsasafilmmakerearlyinlife.DuringtheSecondWorldWarhebecamethemostpowerfulmanintheDutchfilmindustry.AsheadoftheFilmDepartmentoftheSSandtheDutchNazipartytheNSB,hebecameknownas“thefilmczar”and“theDutchLeniRiefenstahl.”Afterthewar,Teunissenwasprosecutedandpunished.Heneverthelesscontinuedtoboastabouthisshrewdnessandhisconnectionswiththehigher-upsoftheNaziregime.　　Aportraitgraduallyemergesofamanandhismotivations.Atthesametime,thisdocumentaryaboutunbridledambitionandthemanipulativepoweroffilmquestionstheboundariesbetweendocumentaryandpropaganda.Itrevealshowpropagandistsgoabouttheirwork—howtheydisseminateimages,stories,disinformationandiDeology.

EcoDeluz|LightMemories

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Inthefamilyofphotographer-turned-filmmakerMishaVallejonooneevertalksabouthisgrandfather.Heonlyhearsabouthimforthefirsttimeasanadult,thankstoanabandonedphotocollection.Whowasthisshadow?Andwhatlegacyloomsoverthefamily?InhisDebutfilmLightMemories,Vallejoshowshowtheeffectsofneglectcanpersistacrossgenerations.　　ThesliDesthatbelongedtoVallejo’sgrandfathermainlyraisequestions.Evenhisgrandmotherdoesn’trecognizemostofthepeopleonthem.Toherchildrentheirfatherhasalwaysbeenastranger.Asthefilmmakertalkstofamilymembersanddigsthroughtheirsilentpast,thesimilaritieswithhisownlifestarttobecomeapparent.Althoughhisparentswouldrathernotdiscussit.　　LightMemoriesshowsafracturedfamilyontheonehand,withabsentfatherfigures.Ontheotherhand,thecaringthatgoesonamongthefamilymembersgiveshope.Vallejo’svisuallanguage—featuringsliDeprojectionsandanimpressivevolcano—createsagracefulbridgebetweenoldandnewtimes.

L’erad’oro|TheGolDenAge

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LucyfromPalermoisstudyingmusicinEnglandandisverypregnant.HermotherandteenagesistervisittobewithherforthebirthofbabyFutura.AfterwardthethreeofthemreturntoSicily,whereKitim,thefatherofFutura,alsolives.　　Asshe’sforcedtogiveupherstudiesduetostuDentDebt,Lucyalsofacestheemotionalchallengeofcreatingastablefamilylifeandmeaningfulexistenceforherself.Shecomesfromanartisticfamily,buthermotherRobertaalsostrugglestoachieveherfullpotential.　　Alifemarkedbyunreliablemen,financialinsecurityandaninclinationtowardthecounterculturehasleftRobertalivinginaspartanandcrampedtwo-roomapartment.AndnowLucy,Kitimandthebabyaremovingin.IsthisLucy’sfuturetoo?AndwhatwilllifebelikeforFutura?Thisempathetic,close-upfilmportraitrevealstheresilienceanddriveofthesetwoartisticwomen,andthesometimesuncomfortablechoicestheyhavetomake.

地狱一啜|UntragoDeinfierno

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Anactressaddictedtoherworkandincrisiswithherprofessiontakesafewdaysoffinahousefarfromthecity.Herfears,phobias,andobsessionsbecometangible,hauntingandpushinghertothelimitsofherowndarkness.

格洛丽亚街|StreetsofGloria

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Gabriel,27,veryhandsome,hasjustarrivedinRioDeJaneiro.Onhisfirstnight,hebecomesfascinatedwiththepeoplehemeets,especiallyoneescortboy,Adriano,Portuguese,strikinglyhandsome.Healsomakesnewfriends:Mônica,a40-year-oldnon-binarywoman,andMateus,a22-year-olDescortboy.　　Atfirst,it’snotclearwhatGabrielisdoinginRio,orwhathissituationwasbeforehearrived.Littlebylittle,it’srevealedthatbackhome,inFortaleza,heusedtohavearelativelycomfortablefinancialsituation,livingwithhisgrandmother,whoraisedhimandsupportshimuntiltoday.Aftershedied,andhisestrangedfatherinheritedallthemoney,GabrielDeciDedtocometoRioandmakealivingbyteachingEnglish.HechosetheGlorianeighbourhood,inpartbecausehefeelstherehecanlivehisgaysexualitymorefreely.　　HestartsaromancewithAdriano,andquicklybecomesobsessedwiththerentboy,inawaytoavoidallthepainhe’sfeelingfromthelossofhisgrandmother.Adrianoisacocaineaddict,andkeepsdisappearingandcomingbackwithnowarning.ThissendsGabrielinaninvestigationjourneyonAdriano,whichendsupbyturningGabrielinanescorthimself.And,eventhoughhedoesn’tknowityet,GabrielisalsoDevelopingacocaineproblem.TheonlythingkeepinghimafloatishisrelationshipwithMonicaandMateus,wholivetogetherinafreelovearrangement.GabrielissocaughtupwithAdriano,thathedoesn’trealizeheisDevelopingastrongbondwithMonicaandMateus,bothaffectionateandsexual.　　Gabriel’swakeupcallcomeswhenAdrianodiesofoverdoseinfrontofhim.Thispushesourprotagonistovertheedge,makinghimperceivehewillalsodieifhecontinuesdownthesamepath.Now,finallyawakeandDeterminedtochange,heunDerstandsthatheneedstoaccepthimselfasaproudgaymanandasexworker.Hehaslostsomuchthroughouthisjourneythatonlyintheendisheabletoseethathehasfoundafundamentallyimportantthing:afamily,inGloria,withMonicaandMateus.

乐咒|Malee

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DeOnzichtbaren|TheInvisibleOnes

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FilmmakerMartijnBlekendaalthinksthereshouldbeasuperheroforinvisiblechildren:kidswhoneedtobeinvisiblebecauseotherwisetheirlivesareindanger.InTheInvisibleOneshetellsthestoriesoffourchildren—someofwhomarenow85yearsold—wholearnedtomastertheartofgoingunnoticed.Thisissomethinghelearnedtodoinhisownlife.　　Amongthechildrenisawomanwhostayedsilentasamouseduringthewar(butnolonger)andamanwhosurroundshimselfwithhundredsofcoloredlightsandplasticflowerssincethedarknessofhistimespentinhiding.Andthere'saboywhowouldliketotellhisstory,buthastostayinvisible.Andyetappearsonscreen.　　ThisisthestartingpointforanexplorationofthewaysinwhichattemptshavebeenmaDetoportraytheinvisibleinthehistoryoffilm,photographyandtelevision.TheInvisibleOnesthusbecomesaplayfulmediaexperiment,anattempttocreateasuperheroandatributetoinvisiblechildrenandtothesuperpowersinordinarypeople.

laFlorDelCamino|theFlowerbytheRoad

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Inafewbriefmomentsinthelifeofayounggirl,weseeherdrawingonthewindowwithamarkerasshesingsandchats,andwalkingalongthemainroadonherwaytomeetherfriend,meanwhilesurrounDedbycarsandtrucksracingdangerouslyclosetoher.　　Themeditativeeffectofthegentletempoanddreamymusicisintensifiedbythesimplicityofthesituationsandactionswesee:thegirlwalkingtowardsherfriend,whoawaitsherwithserenecalm;thegirl’shanddrawingshapes.Onemightevenfeelenviousofthisgirlwhoexistsentirelyinthemoment,utterlyabsorbed,asonlychildrencanbe.