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电影
那种下沉的感觉
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1984喜剧片
Ronnie,Wal,AndyandVicarefourbored,unemployedteensindreary,rainyGlasgow.Ronniecomesupwithagreatidea.Hehasnoticedthatstainlesssteelsinksareworthalotofmoneyandcomesupwithacomplicatedscheme:tostealsinksfromawarehousedressedasgirlsandusingastop-motion-potion. WrittenbyMattiasThuresson{[email protected]}
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电影
从清晨到午夜|从早到晚,FromMorntoMidnight
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1920剧情片
GeorgKaiserdecribesinhisExpressionisttheaterplaytheattemptofabankcashiertoescapehismiddleclassdailylife.DirectorKarlheinzMartin'sadaptationtransfersKaiser'splayintoanExpressionistfilmofradicalstylization.TheGermanfilmindustrywassoirritatedbytheresultthatthefilmneverfoundadistributionandwasnevershowninGermancinemas.TheonlyexistingprintofthisclassicsurvivedinJapanwherethefilmreceivedacinemareleaseandwaspreservedbytheNationalFilmCenter. ThematerialworldofVonmorgensbismitternachtsseemslikeahallucinationandassuchischaracterizedasdeliberatelybanalaswellasfragile,unfinishedandunstable.ThearchitectRobertNeppachusedthedazzlingsimplicityofthepainteddécortoillustratethenatureofthings,socialandhumanrelationships.Here,thebankrevealsitselfasalife-suckingdungeon,thefenceatthecashier'shouseaccentuatesaprison,itselftrappedinitsownlocation.Theunreal,paintedraysoflightonthehotelstaircaseleadingtothelady'sroomsimultaneouslyillustratedesireandtheabsenceofanykindofbasisforit.Strongcontrasts,distortedformsandperspectivesindicatestructuresofrealitywithoutdepictingadifferent,fantasticnature,andcondensethemtosuchanextentthat"thefabricoftheouterworld"becomesdiscernible. Light,costumeandmakeupdesigncorrespondedtothegraphicconceptandthesharplycontrastingemphasisonlightanddarkness.Alsothecashier'sclothes,contouredwithstripesofwhitepaint,seemtorn,appearingtomirrorhismentalconstitution.Evenifthecharactershavenotquitediscardedtheir"organicform"completely,producerRudolfKurtzhadapoint:they"areparts,formalelementsofadecorativethoughtprocess,theyarepartofathree-dimensionalimage,aretornbyflecksoflightandstripeswhichhavebeenpaintedontothem."Thecashier'smakeupcomplieswiththegraphicblackandwhitecontrasts.Hiswhiteface,hispandaeyes,theblackcontourlinesalonghisbrowandthebridgeofhisnoseandarampantmoustachecharacterizeapersonwhoissociallydeformedandyetthirstyforlife.Theremainingcharactersalsohavetheirrespectivesocialcharacteristicspaintedontheirfacesindrasticallyemphaticandexaggeratedphysiognomicdetail.Eventhemostdazzlinglighteffectsarenotusedtoformthree-dimensionalspacebutaccentuatelinesanddetailsofgraphicimagecompositioninaccordancewiththedécoroftheset. Themainstylisticprobleminalmostallexplicitlyantinaturalisticfilmsishowtheactor,whocanonlyartificiallyexaggeratehisnaturalphysiognomictraitstoacertainextent,canbeintegratedintotheimagecomposition.InnootherfilminthetraditionofnarrativecinemaoutsidethefantasygenrehasthisbeendonesoobviouslyasinVonmorgensbismitternachts,wheretheactorshavealsoformallybecomepartoftheconceptofdécorandimage.ErnstDeutschintheroleofthecashierdissolveshismovementsintotenseandthensuddenlyexplosivegestures;heemphasizes,lengthens,oracceleratessingledetailsandneverpresentsanorganic,overallsequenceofmovements.Theblack,mimiclinesonhisface,mainlyhischeekbonesandhiseyesockets,whichessentiallycharacterizethegauntfaceoftheactor,arepaintedontoachalkywhiteface,givinghimtheappearanceofawoodcut.Theambivalentroleofthecashier;thechangefromaninitiallygeriatricappearance,fullofburninginnerintensityinthefirstpartofthefilm,toayoungerexteriorfilledbytheadvancingsenilityofthedesiredinnerfulfillment,wasportrayedtoitsfullestextentbyErnstDeutsch.Hisamazingabilityto"agesosuddenlyandterribly"hadalreadybeennotedinhisrebelliousyouthfulrolesinexpressionistplays. KarlheinzMartinalsousedimagescomposedwiththehelpofcinematechnologytoagreatextent,whenevertheycouldbeintegratedintotheartificialstyleconcept,suchasthefootageofthesixdayrace,withtherushandecstasyofthespectatorsaddictedtoentertainment.Differentcameraperspectivesshowseveralterracedrowsofseatsinhistoricalstructure,wherethesocialstratumoftheprivilegedclass,thebourgeoisie,thepettybourgeoisie,andtheproletariatisillustratedandtheacceleratedrhythmofthemovementofthecamerasuddenlybecomesavertiginousrideinapaternoster.Theraceitselfhasanaccentuatedcinematicform.ThecashiersaysinKaiser'sdrama:"Iseeacircleandagaudywavyline."Itisdisplayedinatotallydarkenedroomwhichillustratesanabstractionofaracetrackasanellipticalwarpedstripofdazzlinglight.Thecyclistsappearracingthroughthissetinlap-likeinternals.Thewholescenewasfilmedthroughamirrororaconvexlens,givinganunreal,distortedimpressionoftherace.LotteEisnerdescribedthissceneasfollows:"Thecyclistsaretransformedintoananamorphosis,theyarestretchedandthroughthemagicoflightandwiththehelpofadistortinglenstheybecomesparklingfacets." Vonmorgensbismitternachtsmayhaveenrichedthedevelopmentofcinema-aesthetics,neverthelessapublicshowingnevertookplaceinGermanyinthe1920s.ProducerRudolfKurtzblamedtheradicaluseofrealhumanbeingsasadesignelementintheconstructionofthefilmimageforthereluctanceofcinemaownerstoshowVonmorgensbismitternachts:"Thismovingaroundofhumanbeingswhichonlyserveasformalelements,obstructsanyaccesstothefilm."Theeffectofcoldnessandstrangenessresultingfromtheunusual,artificialformalrestrictions,thedenialofthree-dimensionalityandobjectarrangementaswellasthesimilarlyinorganicandrhythmic-mechanicalactingstylewasadeliberatecalculation.Itsumsupratherpreciselytheintentionsofthisproduction:toilluminatefrozenandgrotesqueimagesofsocietywiththesamedazzlinglightasdesperate,andhenceequallydistorted,attemptstobreakoutofaworldwhichisunwillingtochange.Thefactthatthefilmwasignoredbycommercialdistributorsandcinemassetanearlylimitonthemarketabilityofrigorouslyabstracttendenciesinnarrativecinema. JürgenKasten
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电影
扒手莫扎特|扒手艺术家,TheMozartofPickpockets,扒手莫扎特
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理查德（RichardMorgiève饰）和菲利浦（PhilippePollet-Villard饰）是法国巴黎街头两个游手好闲之徒，他们组织西班牙扒手进行盗窃。一旦被人当场抓包，理查德和菲利浦就伪装成警察解围，事后一众人躲进小旅店内分赃。 某次行动扒手集团遭遇真正的警察，西班牙小偷全部被抓，理查德和菲利浦侥幸逃过一劫。不过这次变故却让他们和一个南美移民的孩子搅到一起，任凭两人怎样劝说恐吓，小男孩都始终跟着他们。最终菲利浦突发奇想，决定和小男孩组成盗窃三人组…… 本片获2008年奥斯卡电影节最佳短片奖。
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电影
欢乐分裂|快乐分队(台),快乐小分队,快乐分裂,享受分裂,欢乐分裂
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2007纪录片
Canada 7September2007 (TorontoFilmFestival) UK 2May2008
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电影
花园派对|公园派对,花园派对
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由JasonFreeland编导的独立电影，在迷途的生命中，每个人都在寻找自己梦想的出口，而旅程中的大小事，最终也将成为过往里的云烟。 故事围绕着十五岁女孩四月（WillaHolland饰）展开，与她所结识的一群各色各样的人事物。四处流浪的她，不停寻找一个安心的居所，一个她不需要依靠脱衣解带求生存的地方，在一次偶然中，四月来到洛杉矶遇见了一群与她同样迷惘、追寻着梦想的人，这群以莎莉（VinessaShaw饰）为中心的团体，但四月也发现在看似美好的外表下，有苦有甜有悲，当生活越发走向边缘，四月也理解到不论是好是坏，旅程中的大小事，最终都只是生命里过往一天。
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电影
夕阳红似火|Leslilasd'automne(法)
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2000剧情片
WILLMARSHALL,76yearsold.Retiredandpissedoff!Hereisalovelycomedy-dramaboundtoenlightenyourheart.They'recalledthegoldenyears.Allthingsconsidered,theguestsattheVillaFloralretirementhomeinpicturesqueVictoriacan'tcomplain.Theyhaveroomswithaview,privatebaths,alushpropertyandevenabowlinggreen. Butsomeinmates,asWill(RichardBull,knownforhisroleasMrOlesoninLITTLEHOUSEONTHEPRAIRIE)callshimselfandhisfellowguestaregettingrestless. ADAYINALIFE©tellsthestoryoffiveseniorswhodecidetoturnanordinarydayintosomethingspecial.
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电影
大卫·吉尔莫演出中
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你知道DavidGilmour吗？如果答案是否定那你该一定知道PinkFloyd吧，DavidGilmour就是PinkFloyd的吉他兼主唱，想必很多一谈起PinkFloyd遍言必称RogerWaters，其实如果没有DavidGilmour的躲在后面的华丽细腻的吉他，恐怕PinkFloyd也无法达到现在的地位吧，而且从1987年始，PinkFloyd就是以DavidGilmour为核心了。 这张《演出中》DVD是这他在英国两场个人演唱会的录影剪辑，音质画面都是一流的。演出曲目以PinkFloyd以前的经典为主，这些歌曲被DavidGilmour用原声吉他重新赋予了新的生命力，当然PinkFloyd特有的华丽和大气他一点也没丢。演出开始的“ShineOnYouCrazyDiamond”由DavidGilmour用原声吉他重新演绎了一遍，但那个声音还是PinkFloyd的，每声吉他响都会让人感到这个就是PinkFloyd，在这里不由要好好赞赞DavidGilmour的吉他演奏，DavidGilmour他弹吉他永远都是不紧不慢的，一点也不张狂，他擅长一点一点的推进情绪，让你不知不觉的陷入他的音乐感觉中去。值得一提的是在附送的歌曲中PinkFloyd的键盘手RickWright也跑过来客串了一首“Breakthrough”，真希望这个时候乐队的鼓手NickMason也跑过来，因为PinkFloyd这个名字太让人期待了。 专辑曲目： 01.ShineonYouCrazyDiamondParts1-5 02.Terrapin 03.FatOldSun 04.ComingBackToLife 05.HighHopes 6.JeCroisEntendreEncore 07.Smile 08.WishYouWereHere 09.ComfortablyNumb 10.DimmingoftheDay 11.ShineOnYouCrazyDiamondParts6-8 12.AGreatDayforFreedom 13.HushabyeMountain 附送2002年在皇家汇演厅表演曲目三首 14.Dominoes 15.Breakthrough（演唱为RichardWright） 16.ComfortablyNumb Ipickedupthisconcertvideobymistakenidentity.Imiss-tookthisforaliveperformanceofasoloprojectthatincludedtheHitsong"There'snowayoutofhere"(whichwasabighitforDavidGilmour)thatherecordedbetweenPinkFloydrecords.TheshockthatIhadwasinstantlyreplacedwithtotalAwe!Thiswonderfulmomentofguitarplayingandsong,capturedintimeforustoenjoyshowsrightfromthebeginningthatDavidGilmourcouldeasilyentertainuswithjusthisguitarandafewelectricgadgets.Butitdoesn'tstopthere!Asguestmusiciansslowlyenterthissonicarenaonebyone,wehearoldclassicslike"ShineonYouCrazyDiamond"andthealltimeclassic"ComfortablyNumb"donetoperfectionlive!AsIwaswatchingandhearing,mymindputtorestanyleft-overnotionsthatold"die-hard"RogerWatersdisciplesusedtothrowoutsaying"PinkFloydisafakewithoutRogerintheband".AsatruePinkFloydfanIwouldnevertrytodoubtRogerWatersimportancetoPinkFloyd'suniqueblendofMusicwithhiscynical,sometimestwistedlyricsanduniquebassguitarlines,butIthinkthisVideoprovesthatbothDavidGilmourandRogerWatersweresharingaparallelvisionofmusicthroughPinkFloyd'sMusic.Maybemorethensomewouldliketoadmit.ThisisamustownforeventhemostmodestPinkFloydfan,especiallythedie-hardDavidGilmourversion!TheonlythingthatIcouldpossiblysayremotelynegativeaboutthisvideowouldbehoweasyhemakesitlookwithhisskillfulplayingandthat,asalways,itcouldhaveincludedsomanymorePinkFloydClassics.Thatsaid,thisisamasterpiece!
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电影
男孩的生活1
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Eachofthethreeshortfilmsinthiscollectionpresentsayounggaymanatthethresholdofadulthood.In"PoolDays,"Justinisa17-yearoldBethesdalad,hiredastheeveninglifeguardatafitnesscenter.Inthecourseofthesummer,herealizesandembracesthathe'sgay.In"AFriendofDorothy,"WinstonarrivesfromupstateforhisfreshmanyearatNYU.Hehastofigureout,withsomehelpfromAnne,ahometownfriend,howtobuildasociallifeasayounggaymaninthecity.In"TheDiscoYears,"Tomlooksbackon1978,theyearinhighschoolthathecameoutoftheclosetafteronejoyfulandseveralpainfulencounters
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电影
猛鬼街4：梦幻主宰|幽冥鬼手,猛鬼街4,半夜鬼上床4,猛鬼街第四集,猛鬼街4：梦幻主宰
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克里斯汀（TuesdayKnight饰）在和弗莱迪（罗伯特·英格兰德RobertEnglund饰）的缠斗结束后不久，后者狰狞的形象就再次拜访了她的梦境。克里斯汀向曾一同在医院治疗的伙伴金凯和托伊吐露了弗莱迪归来的消息，然而两个男孩认为弗莱迪已死，等待他们的不过是平静的青春期生活。弗莱迪很快再度发威，将金凯和托伊杀死在梦中，克里斯汀失去了一同战斗的朋友，几近绝望，幸好有认为梦是解脱现实压抑良方的好友爱丽丝（LisaWilcox饰）出现，克里斯汀在梦中被弗莱迪加害之时向爱丽丝求助，将后者拉入了自己的梦境，也使其卷入了弗莱迪的疯狂杀戮。克里斯汀终于被杀，而爱丽丝，决定为朋友报仇……
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电影
春色一箩筐|一个爱情故事
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为了赢得“最丑女孩大赛”的奖金，士兵艾迪（瑞弗·菲尼克斯RiverPhoenix饰）找来了偶然在餐厅结识的服务员罗丝（莉莉·泰勒LiliTaylor饰），对于自己即将要经历的遭遇，罗丝一无所知。最终，艾迪不仅没能够拿到奖金，罗丝也因为众人的嘲笑和排挤而愤然离去。 良心备受谴责的艾迪找到了罗丝，一番道歉后两人重归于好。在言谈之中，艾迪和罗丝都惊讶的发现他们的身上存在着诸多的共同点，随着时间的推移，两人之间的关系越来越亲密。艾迪即将上战场了，他和罗丝约定，待他归来之时，两人再度相会。没想到，艾迪这一走就是四年。四年后，依然念想着罗丝的艾迪回到了他们相遇的那间餐厅，但一切早已物是人非。
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电影
星条旗下的丑闻|星条旗下的丑闻
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影片取材于真实事件的访问，借助于法庭的记录和官方报道及相关的出版物，记述了海湾战争后美国海军一次年会上，发生的针对女军人的暴力攻击和性骚扰的事件。从而揭开了女军人在军队中的境遇以及人们对待性别角色的不同观点和态度。 刚刚凯旋归来的女飞行员保拉获得了提升，作为将军副官首次参加在尾钩召开的年会。这里聚集了四千名海军和海军陆战队的军官，三十位将军，她的航空队来了一半。踌躇满志的她渴望见到那些大人物，参加自由交流和讲座。其间她在三层的走廊上遭到数十人乃至上百人的推搡和骚扰。事后，她勇敢地揭露了发生在军队中的丑闻，立刻被调离岗位并遭人指责。那些曾经和她生死与共的兄弟们却矢口否认有此类事件的发生。而那些和她有同样遭遇的女同事却只有在心中支持她的行为，而在行动上，以无奈的沉默换取她们生存下去的机会。 男人们都不希望她这样做，而女人们则希望她这样做。 她一次次地凭回忆指认的在场者都被一次次的不在现场的证明推翻了，许多人不认为这是犯罪，似乎谁都知道三层的游戏，他们已然司空见惯了。尽管经历了许多艰难，她最终赢得了胜利并重新飞上蓝天，实现了驰骋疆场的愿望。
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电影
十三号星期五5|Fridaythe13thPart5
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上一集中大难不死的Tommy,由于严重的刺激，患上了精神疾病，因为被送到疗养村进行康复治疗。刚入住不久的Tommy就目睹了病人的惨死，而Jason也仿佛又回到了人间，开始了一场血腥的杀戮……
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